Publication
L’INVISIBLE VISIBLE
Author
Sylvie PinardPublished
November 30, 2016Production
Fondation Jean-Pierre Perreault
(in French) L’INVISIBLE VISIBLE – Transmission d’outils d’interprétation en danse, by Sylvie Pinard is a guide to discovering one’s expressive body. The book offers a comprehensive training program for dancers and teachers, based on a synthesis of her various discoveries and teaching approaches as both a Laban analyst and dance professor.
Project
Dissemination
On November 30, 2016, the Fondation Jean-Pierre Perreault launched Sylvie Pinard’s book L’INVISIBLE VISIBLE – Transmission d’outils d’interprétation en danse, in collaboration with the Department of Dance at UQAM. A founding member of the group Nouvelle Aire, Sylvie Pinard danced professionally for over 25 years…
Events
On November 30, the Fondation Jean-Pierre Perreault hosted the launch of L’INVISIBLE VISIBLE – Transmission d’outils d’interprétation en danse, by Sylvie Pinard. The book is the legacy of a devoted and generous teacher who is eager to share her thoughts and experience with dance performers…
More to discover
Choreographic toolkit - press kit
This document gathers all the press articles surrounding the work Cartes postales de Chimère (1996) by Louise Bédard (some articles in English).
Video interview
Interview with Evangelos Poulinas about his career and approach to teaching contemporary dance in an international context. Evangelos Poulinas talks about his beginnings as a dancer at age 21 when he had his sights set on sport. Originally from Greece and based in Berlin, the…
Event recording
Traditions, rhythms, and codes of First peoples at the heart of contemporary dance. The event CONSTRAINED BODY, DANCING BODY Conversations and performances on Indigenous dance in Quebec today organized by Ondinnok and Tangente took place from May 2 to 4, 2018 at Tangente. With: Soleil…
Video interview
Interview with Isabelle Poirier conducted by Sophie Michaud on May 1, 2018, at the artist’s house, in Montreal. © Fondation Jean-Pierre Perreault, 2018