Excerpt from work

Trailer – Moving through the archive

Place
Galerie UQO
Director
Rémi Thériault | House of Commons
Editor
Chris Snow
Length
0 min 57
Choreographer and dancer
Hanna Sybille Müller
In collaboration with
Lauren Semeschuk, Nate Yaffe
Galerie UQO team
Jessica Arseneau, Mirna Boyadjian, Marie-Hélène Leblanc, Jessica Minier, Jessica Ragazzini, and Jérémie Roussel

Excerpts from Moving through the archive, Bouncing off the archive and The archive of gestures

Project

Moving through the archive

Co-production

The Fondation Jean-Pierre Perreault participated in the project Se mouvoir dans l’archive / Moving through the archive, a production by Galerie UQO with choreographer, dramaturg and dancer Hanna Sybille Müller. In the fall of 2019, director/curator Marie-Hélène Leblanc invited Hanna Sybille Müller to work with…

Events

More to discover

Excerpt from work

The dis/embodied archive

In the gallery’s refined space, Sybille Müller dances the embodied and disembodied archive in five movements. Through words and dance, the artist takes us through different timelines of the gallery’s history.

Article

Moving, artistic migrations (in French)

For our second Espace Perreault Get-Together at the MAI on April 6, we had a chance to hear from multidisciplinary artist Kama La Mackerel and dancers and choreographers Nasim Lootij and Heather Mah. It was an opportunity to talk about dance and migration, a complex,…

Article

Paul-André Fortier’s Bras de plomb featured in the MAGDANCE 5 art + dance + archive, a Mackenzie Art Gallery initiative

For more information visit the French version of this article: https://espaceperreault.ca/fr/collection/bras-de-plomb-de-paul-andre-fortier-active-dans-linitiative-magdance-5-art-dance-archive-de-la-mackenzie-art-gallery/

Excerpt from work

Bouncing off the archive #3

Archive #3 presents a mysterious video in which Hanna Sybille Müller again dances with Lauren Semeschuk and Nate Yaffe. The video captures seeing the other dancing and being seen dancing, to transform gestures made in the pared-down space of the gallery, filled only with chairs….