Video interview

Danse mutante – Capsule 2

Production
FJPP and MAYDAY - Mélanie Demers
Concept and artistic direction
Mélanie Demers
Dancers
Francis Ducharme, Riley Sims

Danse Mutante is a duet performed by Francis Ducharme and Riley Sims, destined to know multiple mutations as it passes through the hands of four female choreographers on three different continents.

Project

Around Danse Mutante

Co-production

Danse mutante is a bold collective project that explores the mutation of a dance work, as well as ideas around transmission and performers’ authority and creative contribution. In the words of the project creator Mélanie Demers: “Danse Mutante is a duet performed by Francis Ducharme…

Events

More to discover

Publication

La danse de Hanako  –  Hanako’s Dance

This fanzine invites you to follow the traces of a ghost-like dance. The dance by Hanako Hoshimi-Caines was performed before a select few, and was not filmed or photographed. Yet its sensory content was methodically captured in this multi-authored work.    

Publication

Ouvrir la boîte. Regards sur les boîtes chorégraphiques et la documentation en danse

(in French) For Ouvrir la boîte, Lise Gagnon invited close to 20 dance practitioners—dancers, choreographers and researchers—to examine the Fondation Jean-Pierre Perreault’s choreographic toolkits from a meta perspective by opening them, interrogating them and unpacking them, in order to view them from different angles and…

Video interview

Legacy Project – episode 3: Conflict-Transformation

The Margie Gillis Dance Foundation presents The Legacy Project / Projet Héritage, an initiative dedicated to preserve and transmit Margie Gillis’ unique and important creative heritage. The combined documents are from the first project development stage, which took place in Acton Vale in the summer…

Video interview

Isabelle Poirier: Exploring the many paths of transmission (excerpt)

Interview with Isabelle Poirier conducted by Sophie Michaud on May 1, 2018, at the artist’s house, in Montreal. © Fondation Jean-Pierre Perreault, 2018