Excerpt from work

The archive of gestures

Place
Galerie UQO
Director
Rémi Thériault | House of Commons
Editor
Chris Snow

Hanna Sybille Müller collected gestures that were performed by the gallery’s staff when an exhibition was being prepared, inaugurated or discussed, and she composed them in a score. Working with each staff member, she discussed how their gestures should be performed. The choreography is an accumulation of the staff’s physical gestures over a 5-year period performed in one day.

Project

Moving through the archive

Co-production

The Fondation Jean-Pierre Perreault participated in the project Se mouvoir dans l’archive / Moving through the archive, a production by Galerie UQO with choreographer, dramaturg and dancer Hanna Sybille Müller. In the fall of 2019, director/curator Marie-Hélène Leblanc invited Hanna Sybille Müller to work with…

Events

More to discover

Excerpt from work

Bouncing off the archive #3

Archive #3 presents a mysterious video in which Hanna Sybille Müller again dances with Lauren Semeschuk and Nate Yaffe. The video captures seeing the other dancing and being seen dancing, to transform gestures made in the pared-down space of the gallery, filled only with chairs….

Excerpt from work

Bouncing off the archive #1

In the second part, Hanna Sybille Müller shares her dis/embodied archive findings with two dancers, Nate Yaffe and Lauren Semeschuk, with whom she developed a trio. When the residency and project were postponed due to the pandemic, a week of rehearsals still took place in…

Excerpt from work

Bouncing off the archive #2

In the second part, Hanna Sybille Müller shares her dis/embodied archive findings with two dancers, Nate Yaffe and Lauren Semeschuk, with whom she developed a trio. When the residency and project were postponed due to the pandemic, a week of rehearsals still took place in…

Excerpt from work

The dis/embodied archive

In the gallery’s refined space, Sybille Müller dances the embodied and disembodied archive in five movements. Through words and dance, the artist takes us through different timelines of the gallery’s history.