Choreographic toolkit - press kit

Bras de plomb press kit

Michael Slobodian
Work
Bras de plomb
Years
1993

This document gathers all the press articles surrounding the work Bras de plomb (1993) by Paul-André Fortier (some articles in English).

Project

Bras de plomb Choreographic Toolkit

Production
The solo Bras de plomb was created in 1993 out of an encounter between the dancer and choreographer Paul-André Fortier and artist Betty Goodwin. Out of these two artists’ obsession with the human body emerged this fascinating piece, a profound reflection on the human condition....

Events

Launch of EC2 and three choreographic toolkits

The Fondation Jean-Pierre Perreault launched its new digital platform EC2_Espaces chorégraphiques 2 and a unique digital collection of choreographic toolkits on September 21, 2016. These projects, designed to showcase Quebec’s contemporary dance heritage, were carried out in collaboration with Bibliothèque et Archives nationales du Québec,…

More to discover

Article

Paul-André Fortier’s Bras de plomb featured in the MAGDANCE 5 art + dance + archive, a Mackenzie Art Gallery initiative

For more information visit the French version of this article: https://espaceperreault.ca/fr/collection/bras-de-plomb-de-paul-andre-fortier-active-dans-linitiative-magdance-5-art-dance-archive-de-la-mackenzie-art-gallery/

Video interview

Interdependence — Thou shalt have no other gods before me. Lucie Boissinot meets Miranda Chan (excerpt)

Interdependence — Thou shalt have no other gods before me. Lucie Boissinot meets Miranda Chan Harold Rhéaume interviews Miranda Chan dancer in the 2021 version of Les Dix Commandements and Lucie Boissinot, dancer of the 1998 version. To see the full version: here

Article

Archives #1 (In French)

February archives of the project Pluriels

Event recording

Virtual launch – December 9th, 2020

Launch of the zine La danse de Hanako – Hanako’s Dance and Ouvrir la boîte. Regards sur les boîtes chorégraphiques et la documentation en danse. Some 20 dance artists, writers and visual artists share their experiences in these two publications.