From May 15 to 18, the Fondation Jean-Pierre Perreault invited the entire dance community to take part in the focus day series Between Traces and Writing. Featuring round table discussions, conversations, performances and workshops, the event explored the themes of traces, notation, documentation, memory, body/archives…
From May 15 to 18, 2018, the Fondation Jean-Pierre Perreault presented a series of focus days and workshops at Hexagram-UQAM, titled Between Traces and Writings. The event included round table discussions, performances and workshops focused on the themes of traces, notations, documentation, memories, body/archives and…
How does Kimberley de Jong rediscover his process of reactivating bodily memories in Caroline Laurin-Beaucage’s work GROUND? The project Le corps qui cherche is an exploratory phase of doctoral student Mélissa Raymond‘s research-creation project Chorégraphier les restes: approche écosomatique du corps-archive. It is intended as a journey through the…
For David Rancourt, dance artist and Qi Gong teacher, meeting Linda was a turning point; seeing her on stage helped him understand what he was searching for in dance: moving beyond form, seeking an organic quality and the integrity of body, heart, and mind. For…
Six dance artists and teachers share their experiences of the adaptability and creativity they had to demonstrate in order to continue teaching during the lockdown caused by the COVID-19 crisis. A generous conversation with Sarah Bild, Marie Claire Forté, Sara Hanley, Susanna Hood, Alanna Kraaijeveld,…
Biography Marcela Correa (she, her) was born in Quito, Ecuador. She trained as a dancer at Frente de Danza Independiente in Quito, which she co-founded in 1985, studying with Wilson Pico, Kléver Viera, and Carlos Cornejo. She earned a Master’s degree in Expressive Arts Therapy…