From May 15 to 18, the Fondation Jean-Pierre Perreault invited the entire dance community to take part in the focus day series Between Traces and Writing. Featuring round table discussions, conversations, performances and workshops, the event explored the themes of traces, notation, documentation, memory, body/archives…
From May 15 to 18, 2018, the Fondation Jean-Pierre Perreault presented a series of focus days and workshops at Hexagram-UQAM, titled Between Traces and Writings. The event included round table discussions, performances and workshops focused on the themes of traces, notations, documentation, memories, body/archives and…
How does Nicolas Patry rediscover his process of reactivating bodily memories in Amélie Rajotte‘s work Carnaval? The project Le corps qui cherche is an exploratory phase of doctoral student Mélissa Raymond‘s research-creation project Chorégraphier les restes: approche écosomatique du corps-archive. It is intended as a journey through the layers of dance…
How does Nicolas Patry rediscover his process of reactivating bodily memories in Kimberley de Jong‘s work (M)other? The project Le corps qui cherche is an exploratory phase of doctoral student Mélissa Raymond‘s research-creation project Chorégraphier les restes: approche écosomatique du corps-archive. It is intended as a journey through…
How does Nicolas Patry rediscover his process of reactivating bodily memories in Virginie Brunelle‘s work PLOMB? The project Le corps qui cherche is an exploratory phase of doctoral student Mélissa Raymond‘s research-creation project Chorégraphier les restes: approche écosomatique du corps-archive. It is intended as a journey through the…
Biography Marcela Correa (she, her) was born in Quito, Ecuador. She trained as a dancer at Frente de Danza Independiente in Quito, which she co-founded in 1985, studying with Wilson Pico, Kléver Viera, and Carlos Cornejo. She earned a Master’s degree in Expressive Arts Therapy…