Event recording
LE DROIT D’AUTEUR ET LA CRÉATION DE L’ŒUVRE CHORÉGRAPHIQUE – EXCERPTS
Date
October 2, 2015Place
UQAM's Dance departmentProduction
Fondation Jean-Pierre PerreaultLength
2 h 08 min 04Moderator
Sophie Préfontaine, lawyer
On October 2, 2015, the FJPP held a focus day on copyright and artistic legacy in dance, in collaboration with the Department of Dance and Institut du patrimoine at UQAM. With the participation of Georges Azzaria, lawyer, Caroline Gravel, dance artist, Sophie Michaud, artistic consultant, Manon Oligny, choreographer, Normand Tamaro, lawyer.
Project
Production
How does the dance milieu approach copyright issues? How does copyright law influence the creation, performance, reproduction and distribution of choreographic works? To answer these questions, the Fondation Jean-Pierre Perreault invited dance practitioners and legal experts to participate in a focus day on copyright and…
Events
Copyright is inherent to the dissemination and transmission of cultural works. The Fondation Jean-Pierre Perreault invited dance practitioners and legal experts to weigh in on this important issue. How does the dance milieu approach issues related to copyright? How do interpretations of copyright influence the…
More to discover
Interview
An interview of composer Bertrand Chenier by essayist Guylaine Massoutre on his relationship with choreographer Jean-Pierre Perreault. For more information, visit the French version of this article: Bertrand Chénier et Jean-Pierre Perreault : Partenaires en création
Video interview
Interview with Dulcinea Langfelder, led by Viktoria Bobovskaia Excerpts : Victoria, Dulcinea Langfelder & Co, 2000, La Voisine, le film, Diane Poitras, 1996, La Complainte de Dulcinée, Dulcinée Langfelder & cie, 2008, Victoria, le film, Dulcinea Langfelder & Co, 2021 Pictures: The orderly of Victoria,…
Video interview
Interview with Vittoria De Ferrari Sapetto about her career and approach to teaching contemporary dance in an international context.
Video interview
Interview with Omri Drumlevich about his career and approach to teaching contemporary dance in an international context.