Event recording
Copyright: A space of freedom or constraint for the creation and use of choreographic- excerpts
Date
October 2, 2015Place
Department of Dance and Institut du patrimoine at UQAMProduction
Fondation Jean-Pierre PerreaultLength
2h 1min 20
On October 2, 2015, the FJPP held a focus day on copyright and artistic legacy in dance, in collaboration with the Department of Dance and Institut du patrimoine at UQAM.
With the participation of:
Georges Azzaria, lawyer
Manon Oligny, choreographer
Sophie Préfontaine, lawyer
Normand Tamaro, lawyer
The 2 Gullivers, performance artists
Isabelle Van Grimde, choreographer
Moderated by: Xavier Inchauspé, cultural worker, lawyer by training
Project
Production
How does the dance milieu approach copyright issues? How does copyright law influence the creation, performance, reproduction and distribution of choreographic works? To answer these questions, the Fondation Jean-Pierre Perreault invited dance practitioners and legal experts to participate in a focus day on copyright and…
Events
Copyright is inherent to the dissemination and transmission of cultural works. The Fondation Jean-Pierre Perreault invited dance practitioners and legal experts to weigh in on this important issue. How does the dance milieu approach issues related to copyright? How do interpretations of copyright influence the…
More to discover
Excerpt from work
How does Nicolas Patry rediscover his process of reactivating bodily memories in Danièle Desnoyers’ work Unfold? The project Le corps qui cherche is an exploratory phase of doctoral student Mélissa Raymond‘s research-creation project Chorégraphier les restes: approche écosomatique du corps-archive. It is intended as a…
Audio interview
Audio interview
The second episode of the podcast about Linda Rabin’s pedagogical and artistic legacy, the opus brings together Rachel Harris and Linda Rabin for a discussion moderated by the lively Lucie Boissinot. At age 17, after a one-week internship in Vancouver with Linda Rabin, Rachel Harris’s…
Article
Cette recherche artistique me donne une nouvelle opportunité de faire vivre la langue wendat dans mon quotidien et j’en suis bien heureuse. Ce qu’il faut comprendre avec cette langue c’est que, comme mentionné dans mon premier article, elle est en dormance. Il n’y a plus de locuteurs depuis plus de 100 ans donc, nous avons plusieurs trous dans notre casse-tête linguistique.