Excerpt from work
Bouncing off the archive #2
Place
Galerie UQODirector
Rémi Thériault | House of CommonsEditor
Chris SnowLength
15 min 19Choreographer and dancer
Hanna Sybille MüllerIn collaboration with
Lauren Semeschuk, Nate Yaffe
In the second part, Hanna Sybille Müller shares her dis/embodied archive findings with two dancers, Nate Yaffe and Lauren Semeschuk, with whom she developed a trio. When the residency and project were postponed due to the pandemic, a week of rehearsals still took place in Montreal’s Parc du Mont-Royal in June 2020. While Hanna Sybille, Nate and Lauren were researching gestures in relation to Galerie UQO’s archives, the rehearsal week also became a snap-shot of dance, or the need to “dance together” during the pandemic, when physical distancing is now part of everyone’s daily choreography. The movement material that came into being is composed of big, powerful whole body movements interwoven with delicate hand and head gestures, and a play with the gaze.
Project
Co-production
The Fondation Jean-Pierre Perreault participated in the project Se mouvoir dans l’archive / Moving through the archive, a production by Galerie UQO with choreographer, dramaturg and dancer Hanna Sybille Müller. In the fall of 2019, director/curator Marie-Hélène Leblanc invited Hanna Sybille Müller to work with…
Events
More to discover
Excerpt from work
Excerpts from Moving through the archive, Bouncing off the archive and The archive of gestures
Article
For more information visit the French version of this article: https://espaceperreault.ca/fr/collection/bras-de-plomb-de-paul-andre-fortier-active-dans-linitiative-magdance-5-art-dance-archive-de-la-mackenzie-art-gallery/
Excerpt from work
In the second part, Hanna Sybille Müller shares her dis/embodied archive findings with two dancers, Nate Yaffe and Lauren Semeschuk, with whom she developed a trio. When the residency and project were postponed due to the pandemic, a week of rehearsals still took place in…
Excerpt from work
Hanna Sybille Müller collected gestures that were performed by the gallery’s staff when an exhibition was being prepared, inaugurated or discussed, and she composed them in a score. Working with each staff member, she discussed how their gestures should be performed. The choreography is an…